The Motivational Editor

Helping Writers Go from Unpublished to Published

basics

How do Plot and Scene Work Together? Part 1

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Updated August 2020

Many fiction writers struggle with what plot is and how to develop it, including me. We envision the end product and wonder how we’re going to get there.

Some writers develop their plot through first writing outlines (called plotters); some write by the seat of their pants (called pantsers). But much like a chef, our work has basic elements. The chef has meat, veggies, fruit, dairy, and spices. He combines these to create a delectable, unforgettable dish.

The writer has characters, goals, conflict, and setbacks, and blends them to create a riveting (best-selling, we hope) novel.

At its very basic, plot is characters attempting to reach goals, but who meet with conflict and setbacks along the way. Whether you are a writer who works with or without an outline, if these elements are missing from your manuscript, you do not have a story. So let’s look at how these elements fit together to build a plot.

[Read more…] about How do Plot and Scene Work Together? Part 1

How Do Plot and Scene Work Together? Series Conclusion

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Let’s connect the pieces of plot, scene, and sequel.

Plot at its most basic level is your lead character’s goal and the journey to reach that goal. That journey is played out in the scenes and sequels of your story.

Scenes show the reader the individual steps your character takes to reach his or her goal and the setbacks along the way. Sequels bridge your scenes and present the character’s reaction—emotions and thoughts—to the setbacks, and his or her subsequent decisions and renewed action toward the final goal.

In your WIP, can you identify:

  • The beginning, middle, and end of each scene?
  • How each scene moves your plot forward?
  • Your sequels?
  • How your sequels move your plot forward?

For practice, look for the scenes and sequels in your favorite novels. Does some aspect of your WIP have you stumped? Share below.

Debra L. Butterfield © 2013

Dealing with Time in Sequels, Part 5 of our series

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Unlike the scene, which happens moment by moment, the passage of time in a sequel is flexible. Here you can move quickly through hours or days (even months) in your story. What took 158 words as a scene can be written in much fewer words. I’ll take our last example, a scene, and make it a sequel.

Example: Marta searched her Excel file for the next group of potential investors to contact. She made phone call after phone call as she identified names, her temper rising with every conversation. Ten calls, and ten “no’s.” The clock on the wall read 3:30. She shut down her laptop, stuffed it into her briefcase, and tromped out of the office. She’d start again tomorrow.

I have sufficiently covered several hours in her day vs. the few minutes of one phone call I used in a scene. We see her emotional and mental state, and her decision and action (all the elements of sequel).

Questions? Ask below in the comment section.

Debra L. Butterfield © 2013